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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Sunday, August 28, 2016


Ancient Alien Contact?
If Aliens Never Visited Earth, What Are They Doing In Our Ancient Art?

By Dorraine Fisher


Science continues to either ignore or completely deny the existence of aliens and their possible role in our history. Of course, there may be no way to verify it all by the scientific method. But to some of us it’s pretty obvious that we’ve had unusual visitors in our ancient past. Why else would figures like these turn up in our ancient art and texts?

This statue said to have been found in Jerusalem by archaeologist Sir William Petrie, seriously resembles descriptions of modern accounts of grey aliens. It seems to be wearing an Egyptian-style headdress of some sort, and on the right side of the frame, the inscriptions appear to depict alien encounters, including a saucer-shaped craft beaming light downward.
Scientists and other researchers often explain these as the ancients depicting mythical beings. But what if they were depicting things they actually saw? On looking at this statue, it’s well worth asking the questions.




This painting from 15th century of the Virgin Mary depicts what looks an awful lot like a saucer-shaped craft hovering over the scene . A man can be seen staring up at the craft, while his dog sits looking upward barking at it. It seems like an awful lot of detail and context for an event that never happened. Why would an artist in that time with no knowledge of such things create a painting such as this?












Just exactly what is the object in the top of this painting?  Painted by Flemish artist Aert De Gelder, and titled The Baptism of Christ, it’s hard to say this object is anything else but a depiction that matches modern accounts of “flying saucers,” complete with beaming rays of light streaming down on the scene. Artists were often depicting a biblical story the way they were told it happened. So why would Gelder depict such a pivotal event this way? And even if he made the whole thing up, how could he even imagine such a thing at that time unless suggestions of such a thing had been made by others? And how would THEY have imagined such a thing?




 

Another depiction of a grey alien in an ancient carving that graced an archway of Nazlet El Samman, Egypt. It’s origin is still considered a mystery, though it doesn’t seem quite as mysterious to us. 

 5000 BC. Extremely curious ancient cave art from Kimberly, Australia.


 A curious petroglyph in Sego Canyon, Utah, USA.

The most interesting thing about all this is that there was no place to stop. There are endless numbers of examples all over the world. Scientists scoff at the idea of aliens, but don’t offer satisfactory explanations that are any less ridiculous than ours. Check out the rest of these.


 




















****************DF




This Post By TCC Team Member Dorraine Fisher. Dorraine is a Professional Writer, photographer, a nature, wildlife and Bigfoot enthusiast who has written for many magazines. Dorraine conducts research, special interviews and more for The Crypto Crew. Get Dorraine's book The Book Of Blackthorne!


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Saturday, May 14, 2016

By Dan Baker
 
An Interview With Cypto-Artist Dan Baker
By Dorraine Fisher

We love all of our cryptid artists but out sculptors are unique and special as they create a multi-dimensional depictions of our hairy friends. And crypto-sculptor, Dan Baker is by far one of our favorites. And he has a very unique perspective based on his personal experiences and his many collected reports from others. And based on the latest information on Bigfoot, he may be closer than anyone to having some of the most honest depictions. Only time and research will tell. But in the meantime, Dan is creating sculptures that tell an interesting story about bigfoot.



Dorraine: When did you first become interested in pursuing art?

Dan:  I became interested in art at a very young age. I remember as a very young boy, I would be eager for Sunday to come around so that I could get my hands on the cartoons in the funny pages. I would sit for hours and attempt to draw my favorite cartoon characters.
I have pretty much stayed with drawing cartoon characters most of my life but stopping about ten to twelve years ago.

Dorraine: Have you always lived in Ohio? And what influence has that had on your art, if any?

Dan: I haven't always lived in Ohio. I lived in both Michigan and Indiana for a while. 
I've had two primary influences on my art.  The first would be both the cartoons of Warner Bros. and Disney. The second would be my obsession with early hominids, great apes and bigfoot.

Dorraine: What made you pursue sasquatch art?

Dan: For a while, I was making Christmas figurines out of polymer clay.  I made everything from elves to nutcrackers. Then one day as I was doing some online bigfoot research, I decided to try and sculpt a bigfoot bust. On thing led to another and I did one after another. Every individual hair was cut, rolled and put in place. One at a time. It was very time consuming!

Dorraine: Have you had a bigfoot encounter of your own?

Dan: Yes, I had a bigfoot sighting of my own on June of 2013. It was about 12:30am and I was at our basecamp with my wife and a property owners wife. We heard what sounded like bipedal footsteps just inside the tree line about 35 yds. From camp. I jumped up with my night vision and caught site of the Squatch when I canned left to about my ten o'clock position. 
Four other people witnessed the Squatch after I did.

Dorraine: I know you didn’t get a good look at the creature’s face. So how do you attempt to depict the face of a creature considered by many to be mythical?  Where does your prototype come from?

Dan: So many people have described the faces of the creatures they witnessed as being like that of a Neanderthal, or Native American, including my wife Sue. Then there are those who have described something more apelike. So, I have attempted to sculpt both types. I have however sculpted a kind of whimsical little baby Squatch named "Skookum". He is my wife's and won't part with him even though I’ve been offered quite a bit of money for him.

Dorraine: What keeps you inspired to do crypto-art?

Dan: I think that trying to create something that has the possibility of looking like any creature that someone has seen is somewhat of a driving force to keep sculpting even though I have taken a rather long hiatus from it at this point.


Dorraine: Tell us about your research group.

Dan: American Primate Exploration / A.P.E.  is a group of like- minded people who are trying to make sense and provide absolute proof to mainstream science of a species of relic hominid through proper evidence collection and field research.  We research early hominids and great apes in an effort to put pieces together of an enormously huge puzzle of possibilities. Many of our people in the field have many years of hunting and tracking experience under their belts and know all the sights and sounds of the indigenous wildlife as well as the vegetation in their areas which can be edible or poisonous. We make every effort to keep it real and not allow any of the "woo" inside our group.

Dorraine: Tell us about your new Educational Visual Aids Fund.

Dan: My Educational Visual Aids Fund on "Go Fund Me " is an effort to raise needed funds to obtain early hominid and great ape skulls and life casts to use as hands-on tools to show people when we do our public lectures. Our lectures are primarily broken into two parts. Part one is speaking about bigfoot, encounters, sightings, etc. Part two is showing and speaking about early hominids and great apes in an effort to show people the possibilities of a relic hominid, similarities and differences in many different species, their relative sizes, possible diets, musculature, skeletal features and how long ago they were here on earth.
Showing photos up on a screen simply does not in any way compare to being able to hold a 2.8 million year old skull up for everyone to be able to see and touch for themselves.
I have been able to obtain a museum quality replica mandible of Paranthropus Boisei and it is absolutely amazing ! It is also in the neighborhood of 2.8 million years old !
It will be used in future lectures as well. People will be able to see this specimen up very close with their own eyes !
Currently, Dr. Jeff Meldrum, Dr. Esteban Sarmiento, and Paleoanthropologist Ran Cartwright are on board with me and my fund.

Dorraine: Do you have any other favorite subjects for your artwork?

Dan: I really only specialize on bigfoot or hominid art at this point. Maybe a few little cartoon characters here and there from time to time just to change things up!

Dorraine: Over the years, have you developed any theories or philosophies about Sasquatches?

Dan: Up to about four years ago, I was in the Gigantopithecus camp when it came to my thoughts of what bigfoot was. I have to say that the late Grover Krantz had a lot to do with that.
But then I began really studying paleoanthropology and primatology and I began to look at sasquatch as more of a relic hominid. First of all, we have countless footcasts that show a bipedal creature albeit flat footed which points to mid-tarsal flexibility.  (Many humans including the great primatologist Esteban Sarmiento have this condition) Next, many eyewitnesses have described a creature resembling a Neanderthal or Native American. These are hominid traits. The musculature appears to show some features of a great ape, however, many early hominids had the same features such as very powerful arms and the trapezoid muscles that are so prominent in the "Patty" film which would limit the ability of the creature to turn its head the same as we would. Very large, thick chests with powerful pectoral muscles have also been witnessed. The very robust mandible and sagittal crest are also traits shared by both great apes and early hominids such as Paranthropus Boisei or Paranthropus Robustus and gorillas.
Then we have to think of the intelligence of these creatures. We all know they are very smart and seem to have an awareness that we as humans have. The size of the brain would most likely dwarf ours. (Speculation)
I believe that sasquatch may be a relic hominid that has developed along its very own branch of the evolutionary tree, sharing traits of great apes but only to an extent both physically and in mannerisms. I believe that instead of dropping all of the great ape mannerisms and traits, they have maintained them to this day. (quite possibly an asset to their way of life)
I could go on and on, but I'll stop here. 

Dorraine: Is there somewhere people can see a gallery of your work? Do you have a website or blog?

Dan: I don't have a website or blog to show my art, but will gladly show some photos here.
 
Dorraine: What is your favorite medium for your art?

Dan: My favorite medium in art is polymer clay.  You can let your imagination and creativity come to life in 3D.

Dorraine: What else do you like to do outside of art?

Dan: I have to say that I love to go camping and spend time in the outdoors doing field research and being with nature. I love all the fresh air and the creatures that we come across along with the beautiful scenery we come across.

Dorraine: What do you do for a living? And does that have any correlation with or influence on the way you pursue your art?

Dan: I no longer work everyday due to my M.S. And many other ailments. I guess my work now is my research although going into the field is becoming much more difficult, so, I study early hominids and great apes and look forward to future lectures where I can still make people happy and go "Wow" by showing and telling them things that perhaps they didn't know. 

Dorraine:   Is there anything else you'd like to tell us.

Dan:  I would like to ask folks to please help out my Educational Visual Aids Fund on "Go Fund Me " so that I can continue to be active at least in teaching folks about both bigfoot and early hominids and great apes.



Special thanks to Dan Baker.



**********DF


This Post By TCC Team Member Dorraine Fisher. Dorraine is a Professional Writer, photographer, a nature, wildlife and Bigfoot enthusiast who has written for many magazines. Dorraine conducts research, special interviews and more for The Crypto Crew. Get Dorraine's book The Book Of Blackthorne!




This post sponsored in part by
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Monday, March 21, 2016


Yes, we love our crypto-artists, and here’s another of our favorites. Tom Finley, from the UK, tries to depict his tall, hairy subjects with a real heart and soul. Sometimes to the dismay of some onlookers, as you’ll read about in this interview. But we love his work, and hope he’ll keep on doing it just the way he does. Intuitively…and with class.


Dorraine: When did you first become interested in pursuing art? 

Thomas: As the family legend goes according to my late Mother, I started drawing when I was 3 years old and would sit and copy my Mother do her art as she was a very accomplished water colorist. I learned a lot from her throughout my childhood. When I moved on to High School and I had a really great art teacher who really encouraged me to do better at my work. I have always done my art for personal enjoyment mainly but I have sold art throughout my adult life but I prefer giving it away as it is more meaningful experience for me and the person receiving it. So, in answer to your question 1963. I always knew I would be an artist deep down.

Dorraine: Have you always lived in UK? And are there other places you lived or traveled that have influenced your art?

Thomas: Good question? I've lived all over the U.S.A. as a little boy my parents were in the U.S. Navy and we lived in Georgia, Virginia, California to name a few places. I grew up in Minnesota after my after retired from the service and I lived there a large part of my life, first on a farm then in a small rural town of Spring Valley. I used to love painting the wildlife of my home state and did that for several years and later found a love for historic old barns and I used to drive around looking for them to draw and paint them. I am still new to the United Kingdom. I resettled here in 2004 when I married my wife Nicola. The British Isles are the most beautiful shade of green I have ever seen and there are many, many places here that have influenced my art. For example, our trips to Loch Ness and all the many ancient sites like Stonehenge. I highly recommend a trip to the U.K. It is well worth it.

Dorraine: How did you turn to sasquatch art?

Thomas: I became interested in the field of cryptozoology at the age of 8. In 1968, I attended the Olmsted County Fair with my family on a day out in August of that year. On the carnival midway, my older brother, Donald, and I saw a very bizarre sideshow that claimed to have a frozen prehistoric man in ice. We paid the 25 cents to go see it and it really changed my life forever after seeing it. I did not know what a Bigfoot was back then and did not know about Bigfoot until the early 1970's. Seeing the iceman was a very life changing moment for me, and it continues to shape my life even now. 

Dorraine: Have you had a bigfoot encounter of your own?

Thomas: I can now say YES! Last spring I attended the Ohio Bigfoot Conference at Salt Fork State Park. After the conference I went on a Bigfoot trip with my friend Terry Thomas from Kentucky. We went to several Bigfoot hot spots in the State and in Tennessee with our host Joe and his sons. At two locations we had whoops and other calls around us in broad daylight and loud tree breaks. At the hot spot in Kentucky we had mock coyote calls and tree breaks and a bizarre fog that encircled us as the sun was sitting, we packed up our casting equipment and made a hasty retreat back to ice coffee and the main road after that. It was very exciting.


Dorraine: In your artwork, how do you attempt to depict the face of a creature considered by many to be mythical?  Where does your prototype come from?

Thomas: When I sit down to paint or draw a forest person, I have many images in my mind of what they might look like. I also will go into my primate references and use them for body shape and mannerisms. The faces and eyes are the hardest as I like to express emotion and the presence of a soul in all my Bigfoot. When I create a new Bigfoot I always, always make them unique and not ferocious or monstrous as many people always ask me to paint them that way. If you want a monster, go to someone that draws monsters. If you want a realistic rendition of an unknown primate, that is what you'll get. I think my best compliment came from an angry guy who sent me a message one night on Facebook. He exclaimed, typing in capital letters, "Why don't you make your Bigfoot more bloody and mean?" - "Your art is like looking at a copy of National Geographic!" You can't please everyone.

Dorraine: What keeps you inspired to do crypto-art? 

Thomas: I have lived with health challenges in my life for several years now. I had a long talk with myself in 1999, and I said I was only going to do art or projects that had a meaning for me or that I enjoyed. So, I dusted off my old scrapbooks from my parent’s attic and decided to get back into cryptozoology and the unexplained once again. First thing I did was create a new collection of stories and reports in my compendium project which is called Archive:X. This project was started as a follow up to the older scrapbooks I started in my school years. They contained newspaper clippings on all sorts of phenomena ranging from Bigfoot to the Loch Ness Monster to UFO's and mermaid sightings off the coast of Australia. The compendium project in its current format contains hand written personal accounts by the witness of the event as well as maps and sketches of their experiences. It has taken up a lot of my time and it is a personal joy to research these cases and write and get to know these people all around the world. My personal mission in this project continues and I hope to start my 2016 volume soon. My wife Nicola as called it "My big book of weird". Pardon the mess in my office if you ever come to visit.

Dorraine: Do you have any other favorite subjects besides cryptids?

Thomas: I enjoy military history, dinosaurs, I have a fascination with the Woolly Mammoth and the research being done in the recovery of ancient specimens being found all over Siberia. I enjoy animation and special effects in the motion picture industry. When I was youngster, I always dreamed of working in cartooning field or making movie monsters. I collect movie props and have a large celebrity autograph collection. I dabble in many interests. 

Dorraine: Have you developed any theories or philosophies about Bigfoot in the UK? What it may or may not be? Whether it exists at all?

Thomas: One of the really interesting things about living in the UK is its history. The dates on places here are older then anything in the USA. If you search hard you will find many places with references to the British Wildman, mainly in carvings in places of worship. There are many claims that the hairy wild man still is alive in the UK. This I think is not the case as the density of the population and known forests are so small there would not be anywhere for these creatures to live, let alone in a secretive way. I have conducted field research at a known forested site operated by the water board. Here Bigfoot type creatures have been observed and strange wood structures found. Although once again this is just a fleeting observation as the reports are so few. Although I will not sour anyone’s idea on the existence of these beings. I will only say I will let you be the judge and do your own research. 

Dorraine: Is there somewhere people can see a gallery of your work? Do you have a website or blog?

Thomas: I am at this time having a website in the making and you will be able to view all my art and purchase it soon. I have a gallery on the SASQUATCH WATCH CANADA website. And you are welcome to go there and view all my paintings. And you can view and follow my art on Facebook by going to THOMAS FINLEY ART, or by following me, Thomas Finley, on Facebook.

Dorraine: What is your favorite medium for your art?

Thomas: My favorite medium you will laugh at but it is a simple ball point pen.

Dorraine: What do you like to do outside of art? 

Thomas: I enjoy going to the movies with my wife. Watching the night sky. Spending time with my Grandchildren. Being with my friends at the Bigfoot Conference. Our pets, listening to music and just having a laugh.

Dorraine: What do you do for a living? And does that have any correlation with or influence on the way you pursue your art?


Thomas: I work part time for an international fraternal society here in the UK. Their roots are considered ancient and go back to 1810. I have an interest in its history and have met many interesting people while serving in my duties. My art is strictly my night job, more or less. I am also starting my first children's book soon. 


Dorraine: Is there anything else you'd like to add?

Thomas: If you have ever had anything strange happen to you please get in contact with me as I would love to include you in my compendium project. My email is: capteasycheese@gmail.com please mention the ARCHIVE X PROJECT. 





This Post By TCC Team Member Dorraine Fisher. Dorraine is a Professional Writer, photographer, a nature, wildlife and Bigfoot enthusiast who has written for many magazines. Dorraine conducts research, special interviews and more for The Crypto Crew. Get Dorraine's book The Book Of Blackthorne!



This post sponsored in part by
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Sunday, January 24, 2016


An Interview With RobRoy Menzies – Crypto Artist
A Forensic Animator and Native Alaskan’s Art And View Of Bigfoot
By Dorraine Fisher


We all love our crypto-artists. In a world where we have mostly our imaginations to keep us fueled and inspired, our artists put a face and a shape to it. And I’m not sure they realize how important that role is to us. But even if they aren’t getting it exactly right, as we don’t really know for sure yet, they’re paying close attention to what witnesses are saying, and working hard to bring our imaginings to life.

One of our favorite bigfoot artists, RobRoy Menzies, of Juneau, Alaska talked a little about this when I spoke to him recently. And he explained how his life in Alaska has shaped and influenced his art. And he shares what may have been his very own bigfoot encounter before bigfoot was even a thought in his head. And he also talks about how his work as a forensic animator correlates with his sasquatch art. Here’s what he had to say.  

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